Archive for Washington DC

At The Unity March For Puerto Rico

Posted in Trump Protests with tags , , , , , on November 19, 2017 by johnbuckley100

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All images Leica M10 and 35mm Summilux ASPH

On a blustery, sunny November day citizens turned out to protest the shameful treatment of Puerto Rico by the Trump Administration.  The cruelty and incompetence of  Trump and company is manifested hourly, but perhaps in no way quite so shamefully as in its treatment of three million citizens who await the help they should have received long weeks ago.

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The desperation of people who themselves, or whose relatives, have been suffering for weeks was palpable.

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But as with so many of the demonstrations since January 20th, there was an element of joy, of the fellowship that comes being with citizens who at least retain the right to speak up against this bizarre and un-American regime.

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After a large segment of the march had gone by, it seemed to reconstitute itself, and when we came close we saw that Lin-Manuel Miranda was there.  We were glad to see him, and the thousands who came out, reminding America how we are supposed to support our fellow citizens in need.

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Scenes From The 2017 High Heel Race

Posted in Uncategorized with tags , , , , , , on October 25, 2017 by johnbuckley100

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All images Leica Monochrom and 50mm Noctilux or 35mm Summicron v. IV (no flash, BTW)

The High Heel Race in Washington’s Dupont Circle is a spectacle of joy.  Taking place the Tuesday before Halloween, the 30-year old tradition has evolved to being as much for families as for anyone looking for a walk on the wild side.  It ranks up there with the Funk Parade as an event we enjoy photographing.  After a season of taking pictures at events protesting Trump, all joyous but with an undertone of seriousness, this year’s event was pure delight.

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Capital Pride Parade 2017: A Photo Gallery

Posted in Uncategorized with tags , , , , on June 11, 2017 by johnbuckley100

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All images Leica M10 and 35mm Summilux FLE

Since Trump’s inauguration, we’ve taken to the streets, camera in hand, to capture the energy he’s unleashed.  The crowds have been determined — to fight back, to remove him, to save the nation and the planet — but it’s been pretty joyful, all in all, from the Women’s March through the Climate March and the smaller ones like last week’s March for Truth.  Even those spontaneous demonstrations following the Muslim Ban were filled with fellowship, if not precisely happiness — people smiled for the camera, they were glad to be counted.

The 2017 Capital Pride Parade today was as if the blight of Trump had not settled upon the land.  It’s always a fun event, but today’s felt like we caught a glimpse of what life will be when this pestilential administration has gone back where it came from.  What a delight it is to live in a city with such a large and dynamic LGBTQ community, and their thousands of friends, gay and straight, who come out each year to show their true colors.

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At The March For Truth DC: A Photo Gallery

Posted in Trump Protests with tags , , , , on June 3, 2017 by johnbuckley100

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All images Leica M10 and 35mm Summilux FLE.

Six months in, with the damage of the Trump presidency more obvious by the minute, the resistance will not let up.  On a hot summer day in DC, crowds still came out for the March For Truth, the protest organized around the principle that the President of the United States, his family, his staff, and their collusion with the Russians should be properly investigated.  This will be a big week on that score.  We believe our Saturdays will continue to be organized around capturing this steady resistance.

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At The Rolling Thunder Parade: Gallery Of Images

Posted in 50mm Apo Summicron Asph, Leica Images, Leica Monochrom, photography with tags , , , , , , on May 28, 2017 by johnbuckley100

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All images Leica Monochrom (Typ-246) and 50mm APO-Summicron-Asph

Donald Trump may have gotten 4% of the vote in the District of Columbia, but in certain precincts over Memorial Day Weekend here in the Nation’s Capital, we’d bet his vote was higher.

One can’t help but be moved by some of those who come each year, many by motorcycle, to celebrate Memorial Day.  For everyone who comes for fellowship, a good ride, a fun weekend, there are others in possession of raw emotions, more than 40 years after the Vietnam War, and memories of their loved ones and earlier selves.  We came upon this fellow sitting by himself, a few yards from the Wall.

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This ritual each year means a lot to our visitors who roll in from around the country.

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And some wars are never over.  (We see this guy here every year.)

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While some wait patiently for the Rolling Thunder motorcycles to come roaring by, others go into the pedestrian mall set up every year, to buy food and insignia, motorcycle gear, even holsters.

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And while few are still on active duty, some carry their rank with them wherever they go.

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While others carry the burden of their lives in the sadness of their eyes.

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D.C.’s Funk Parade Is A Reason To Reclaim Our Optimism

Posted in Uncategorized with tags , , , on May 7, 2017 by johnbuckley100

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All images Leica Monochrom Typ-246 and 50mm APO-Summicron-Asph

Just a year ago, we believed that the annual Funk Parade along U Street was a reason to live in the Nation’s Capital.  What a simple, innocent world we lived in then, when those of us in urban areas were clueless about the post-election pall about to fall upon the land.  But if you want to reclaim your sense of what life could be like if people of good will were to come together in a spirit of joy, yesterday’s Funk Parade — despite the rain and gloomy weather — could do it.  Once again on Chocolate City’s “Black Broadway” families came together to share in the funk, and it was wonderful.

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The New Pornographers Play Their Best Album In Years At Their Best 9:30 Club Show Ever

Posted in Music with tags , , , , , , , on April 30, 2017 by johnbuckley100

the-new-pornographers-live-in-chicago-at-metro-april-2017-32Purloined photo with apologies and credit to Bobby Talamine of In The Loop Magazine

We didn’t need a reminder, but boy was it comforting to hear The New Pornographers play “The Laws Have Changed” early in their Saturday night 9:30 Club show in D.C.  Yes, in the real world the laws are changing, and not for the better.  Thankfully, in that 90-minute respite from our mad president that we spent seeing a favorite band play a delightful set, we learned The New Pornographers haven’t changed a bit, and are at the same time thoroughly new.

We didn’t miss Dan Bejar, though we recognize the blasphemy of these words.  As great as his songs are, as fun as his contributions have been, both live and on albums, the streamlined New Ps with just Carl and Neko keeping the bleeding heart show rolling worked wonderfully.  The show must go on, and backing an album whose thematic heart lies in “This Is The World Of The Theater,” it surely did. Joe Seiders had already proved himself to be a worthy replacement for Kurt Dahl on drums, and even on the Brill Bruisers tour three years ago we’d learned to relax; Seiders keeps the Niagara pounding going with no letup in its galvanic force, and has a few more tricks up his sleeve.  This was the best of the six or seven shows we’ve seen The New Pornographers play at 9:30 going back to 2005.

Which makes sense, since Whiteout Conditions is the best New Pornographers’ album since the by-now classic Twin Cinema.  It’s hard to remember that when that record came out nearly 12 years ago, it was bemoaned for how the band had lost the oddness and caffeinated sheen of their first two astonishing albums.  Now, of course, we recognize Twin Cinema as a high point in Western Civ (and we’re increasingly worried that 2014’s Brill Bruisers might be seen by future historians as its peak.)  Whiteout Conditions is a mix of everything we love about the band, bright and bouncy, profound when needed.  With songs like “High Ticket Attractions,” which we can’t get out of our head, and new approaches like “Darling Shade,” which sound like Martha and the Vandellas updated for the 21st Century, this Bejar-less edition of the band  flows like a lava tube off the edge of a cliff, powerfully smoking in the creation of new earth.

That The New Pornographers are one of our very favorite bands defies certain logic.  Ordinarily, we treasure the analog sound of Fender guitars played by punk bands and The New Ps feature keyboard-driven synthetic sounds polished to a high gloss.  They’re not exactly a guilty pleasure or a secret passion, for we play their recs all the time, but the pleasure we get from listening to them is a bit like wearing only natural fibers in everyday life, while enjoying the chance to dress up in polyester.  Carl Newman clearly loved songwriters like Brian Wilson and bands like ELO, and us, not so much.  But last night at the 9:30 Club this band — capable of the most intricate studio albums — played a wonderfully organic set with four-part harmonies intact, the songs building and building so that by the time we got to “The Bleeding Heart Show” encore, we could emerge from the club’s doors with a smile on our face, ready to face anything, up to and including all the laws that have changed.

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