Faulkner’s Light In August is a great title, because it calls out the subtle change in color temperature suffusing the hot air of a dying summer. But we’ve always loved the title to John Gardner’s late phase novel, October Light. Is there anything more gorgeous than the yellow light of October? But October is not uniformly sunny. October rain is October light’s sullen, destructive companion. This is what October too often looks like here in the U.S. This is what it looks like today. Leica M9, Noctilux.
Archive for October, 2013
The Companion To October Light
Posted in Uncategorized with tags Leica M9, Noctilux 0.95 on October 11, 2013 by johnbuckley100Is Dean Wareham Saying What We Think He’s Saying?
Posted in Music with tags " Galaxie 500, "Emancipated Hearts", Dean Wareham, Dean&Britta, Luna, Mazzy Star on October 11, 2013 by johnbuckley100Yesterday, Dean Wareham (Luna, Galaxie 500, Dean & Britta) posted an excellent review of the new Mazzy Star album, Seasons of Your Day. It was a smart, thoughtful take on an album that, frankly, we’d found disappointing. It led us back to the album, and yes, its quiet charms revealed themselves as we listened to it longer. We’re appreciative of Dean Wareham’s impetus for a reconsideration.
That Wareham is — in addition to being an elegant guitarist and the writer of some the best songs of the last 25 years — a strong writer is not a surprise to us. Black Postcards, his autobiography, sits on a nearby shelf.
And that his new solo album, out Tuesday, is available for streaming over at Spin.com has been one of the delights of our week. It’s a partial album — six songs, plus a bonus track — and like 2010’s 13 Most Beautiful: Songs For Andy Warhol — it has tantalizing morsels that remind us of why, when we launched Tulip Frenzy several years ago, our description of it was as “a blog focusing on favorite artists such as Luna…” There’s a reason why Luna came first in our list of favorite artists. From 1995 til their breakup in 2005, Luna was, by a long margin, our favorite band. While we understood why they broke up — an inability to have their music heard by, and their records sold to, a large enough audience; the hard life of a mid-tier band — when they walked away from their goodbye show in New York, it was a dark day around our house. Wareham’s book was a revelation — other than Keith Richards’ Life, the best rock’n’roll autobiography of all time — but his recorded work with wife Britta Phillips has come out in smallish batches, we missed his touring last year with his Galaxie 500 songbook, and as excited as we are about the gorgeous Emancipated Hearts, we know already it will only pique our yearning for something more, something bigger, a fuller album.
Which is why, when we read yesterday’s review of Mazzy Star’s first record in 17 years, this jumped out at us:
“I have to think that maybe an extended hiatus is a good idea for a band — if you can afford it — just step off the treadmill of touring and writing and recording, and return when you have something to say, when the songs are ready. Aside from the challenge of having to write new songs year in and year out, making records over a long period of time means you have to make an effort to remember your strengths, or what inspired you to make music in the first place, and stay true to that, blocking out extraneous noise from radio, from advisers, fans and critics, magazines and blogs (this last one not even a word when the previous Mazzy Star album came out in 1996).”
Is Dean Wareham hinting that Luna could, under the right circumstances, be reformed? Is he envisioning a moment when the time for a Luna reunion could be ripe? We can only hope.
With The Weather Turning, This Is More Like It
Posted in Uncategorized with tags Leica M9, Noctilux 0.95 on October 9, 2013 by johnbuckley100The Pixies Are Playing At Strathmore. Bummer.
Posted in Music with tags The Pixies, The Strathmore on October 9, 2013 by johnbuckley100If our memory is correct, the first time we saw the Pixies, it was 1990 and they played at the old 930 Club in D.C., with their opening act being this pretty good Seattle band called… what was it? Oh, yeah. Nirvana.
(We are sure it was 930, unsure whether Nirvana opened for them or some other band we saw there right about that time. The Fall? Wire?)
The old 930 Club was a great place to see a punk band — dank, intimate, the audience of, oh, 400 wrapped around the smallish stage. The original 930 Club — it moved to its present, ideal location circa 1992 — had a unique odor to it, which lingered in the clothes, such that even in winter, when we would come home from a show, Mrs. Tulip Frenzy usually insisted we leave our clothes on the porch and shower before coming to bed — and still we reeked of that potent cocktail: disinfectant, beer suds, cigarettes. That stench was the smell of… rock’n’roll.
We indulge in this nostalgia because yesterday, the Pixies announced the dates of their North American tour, which sees them playing at Strathmore in Bethesda. If the old 930 Club was a ’76 Alfa with a rusted door and a sputtering engine, sexy but cool, the Strathmore is a Coupe de Ville, a luxury boat you’d be embarrassed to be seen in. It is a luxurious concert hall with ushers even stuffier than the seating. It is, perhaps, the least rock’n’roll building in America, and we say that having never been to Branson, MO, but imagining just how awful it may be, or how bad it would be to see, say, the Clash play Vegas.
Some time ago, the Who played “Tommy” in opera houses, and there was a certain charm to such a mash-up. This ain’t that. This is sad.
And Context
Posted in Uncategorized with tags 35mm Summilux Asph, Leica M9 on October 6, 2013 by johnbuckley100Time Of The Season
Posted in Uncategorized with tags Leica Monochrom and Noctilux on October 6, 2013 by johnbuckley100We Weren’t Prepared For The Genius Of Fuzz, Ty Segall’s “Proto-Metal Side Project”
Posted in Uncategorized with tags Black Sabbath, Charles Moothart, Fuzz, Ty Segall on October 6, 2013 by johnbuckley100It tells you a fair amount about our expectations that, even after downloading the eponymous first rec by Fuzz, the metal band in which Ty Segall sings and plays drums, not guitar, it took us a few days to listen to it. We figured that, like the acoustic Sleeper, released in July, this was at best a novelty, and more likely something like Jack White’s Dead Weathers — a slumming throwaway.
Whoo! Were we ever wrong! Fuzz is the best metal album we’ve heard since Assemble Head in Sunburst Sound’s When Sweet Sleep Returned. Forget the references invoking Black Sabbath — and yeah, there’re some tunes (“HazeMaze”) that seem like they’re dream marching in a Seconal torpor through LaBrea sludge — this is an album of fast’n’wild punk metal in which guitarist Charles Moothart plays Hendrix licks while Ty sings with all the gusto previously employed on his contemporary classic solo slabs.
We’ve always thought the weak link in the records Ty records by himself is the drumming — not that it’s weak so much as we can imagine how great it could be if he had Aynsley Dunbar or Bev Bevan or Will Rigby pounding the skins. The drumming here is good enough, which is fine, because the singing, guitar playing, and Roland Cosio’s bass playing is quite literally awesome. This may be the best sounding record Ty Segall has ever played on.
Look, we expected this was going to be something we’d indulge, perfectly willing to grant young Ty a gap-year project, given how hard he’d worked to graduate from whatever was the San Francisco school he’s now left, while we eagerly await the next step in his brilliant education, the locale of which has moved back to SoCal. Wrongo! Fuzz is among the greatest works yet from 2012’s Artist of This Or Any Year. It is so much better than what Ty did last time he recorded with Moothart (The Ty Segall Band’s Slaughterhouse.)
This is Ty at his best, the music thrills, and we are blown away.






