We Wish The Vacant Lots’ “Endless Night” Lasted Forever

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It might be easy to categorize The Vacant Lots as a sophisticated art project, given their album covers are as distinctive as their sound.  But from the very start, Jared Artaud and Brian MacFadyen proved their mix of garage psych and synth-driven pop was aimed at pleasing aural canals.  They have aimed to become a great band, associated with the likes of Dean Wareham, Anton Newcombe, Sonic Boom, and Alan Vega, and their debut album Departure has stayed on our playlist since the summer of 2014.  And yet none of this prepared us for Endless Night, which from its start to its historic finish is astonishing.

The duo, co-located in Burlington and New York City, gave us a fresh glimpse of greatness when their Berlin EP, a collaboration with Newcombe in his adopted hometown, came out last November.  It simultaneously sounded like the best of recent Brian Jonestown Massacre albums and the apotheosis of that swirling, disorienting sound The Vacant Lots had contributed to our permanent playlist.  But just a few months later, Endless Night shows that Artaud and MacFadyen’s vision has become realized.

Take the opener, “Night Nurse,” which has Artaud pick out a sinuous rockabilly lead above a disco beat, and quickly transports you into the demimonde of a tiny club, hermetically sealed against outside influences.  We’re going to be in for, well, a pleasurably endless night.  “Pleasure & Pain” is not the first of these songs to call to mind progenitors Spaceman 3 and Spiritualized, and in fact, “Dividing Light” has the power of Jason Pierce’s most compelling work.  Throughout Endless Night, the hitherto unappreciated juxtaposition of disco and techno, psych and soul,  rockabilly and garage, makes the blood pulse like Molly just arrived.

We said the album’s finish was historic, and by this we mean that Alan Vega of Suicide, who died last July, brings his final growl to “Suicide Note.”  What a way to go.

With Endless Night, The Vacant Lots serve notice that they’ve entered the front ranks, and we anticipate that when the story of 2017 is told — musically at least — and Top 10 lists are fashioned, The Vacant Lots will be among the last men standing.

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