So we missed the Tulip Frenzy. That month or more stuck indoors, we missed the whole damn thing. But we are back outdoors these days, healthy again, able to walk the neighborhood. And we did not miss the azaleas in bloom. May not quite have the hang of this photography thang, but we’ll get it back. Like everything else. Leica M9, 50mm Summilux, ISO 80.
Archive for the Uncategorized Category
In Time For The Azalea Frenzy
Posted in Uncategorized with tags 50mm Summilux, Leica M9 on May 5, 2011 by johnbuckley100The Real Tulip Frenzy Begins
Posted in Uncategorized on March 12, 2011 by johnbuckley100Wondering Why Capsula’s “In The Land Of Silver Souls” Is Not Yet Released Here
Posted in Uncategorized with tags "In The Land of the Silver Souls", Capsula on March 10, 2011 by johnbuckley100As of yesterday, it’s out in Europe, where they live.
Given that Capsula is The Greatest Rock’n’Roll Band In The World (Circa 2011), and that they actually hail from B.A., it makes sense to feature a recent photo from our Buenos Aires correspondent — again!
Leica D-Lux 4.
UPDATE: For those looking for In The Land of The Silver Souls go here.
The Tulip Frenzy Is Just Weeks Away
Posted in Uncategorized on March 8, 2011 by johnbuckley100Tulip Frenzy’s Midwinter Escape Fantasy
Posted in Uncategorized with tags Leica M8, MATE on March 1, 2011 by johnbuckley100Our Buenos Aires Correspondent Sends A Rose
Posted in Uncategorized with tags Leica D-Lux 4 on February 27, 2011 by johnbuckley100The Decemberists Tour Begins (Beacon Theater, 1/24/11)
Posted in Uncategorized with tags Colin Meloy, The Beacon Theater, The Decemberists, The King Is Dead on January 25, 2011 by johnbuckley100Fresh off the release of their strongest album, The King Is Dead, The Decemberists kicked off their new tour last night at the Beacon Theater in Manhattan.
They played with as little affect as their new album of straightforward, homespun roots rock, plunging in with “Down By The Water.” Much has been made of the way, following their folk-rock opera The Hazards of Love, the band has simplified, even countrified their sound, and it’s true. Trading nods to The Smiths for declared reverence to R.E.M. is a big step forward, especially for a product of Portlandia.
Too many bands with a decade’s work behind them will rush through their new album to get to the old stuff, which is guaranteed to please the crowd. But by sprinkling much of The King Is Dead across the span of a 90-minute set, The Decemberists invited comparisons of the new songs to the old, and showed how strong the new ones are. “Rise To Me” was a highlight of the concert, as much as it is the highlight of the new album, and while the Gram Parson/Whiskeytown pedal steel orchestration isn’t new — it’s as time tested as an old growth forest in the Columbia River basin — the simple reach for beauty shows a songwriter with a lot less to prove, comfortable in his own skin.
The Decemberists are a good band, bordering on a great band. So good, we did not miss Gillian Welch, whose vocals so gloriously mix with Meloy’s great voice on The King Is Dead; for the tour, the band has added a multitalented woman (did not catch name — readers pitch in here…) who plays fiddle, guitar and sings clear and true. What we got was a band that has worked its way through an ambitious youth and for the moment at least, has found sustenance in the traditions of its own country (not the folk rock imported from the Fairport Conventions of Old Europe), a band that serves up tasty helpings of artisanal nourishment, wholesome, healthy and fresh.
This tour is one to catch.
(All photos Leica X1, cropped.)










