Archive for November, 2010

Brighter My Love

Posted in Uncategorized with tags , on November 30, 2010 by johnbuckley100

Leica M9, Noctilux f/0.95 wide open, no ND filter to protect us from the fallout… retinas still burning… aarrggh!

Darker My Love’s Holiday Song

Posted in Music with tags on November 30, 2010 by johnbuckley100

Christmas arrived a little early… Thank you, Target.  Thank you, Darker My Love.
http://www.youtube.com/v/w4Prt9T4-nk&hl&hd=1&fs=1

BTW — it will become very clear very soon why Tulip Frenzy finds a holiday song from this band to be very special to post this year…

Two Suns

Posted in Uncategorized with tags , on November 29, 2010 by johnbuckley100

Leica M9, 21mm Summilux

On Why The Re-Released “Exile On Main Street” Won’t Be Tulip Frenzy’s Album Of The Year

Posted in Music with tags , , , , , , on November 29, 2010 by johnbuckley100

There’s no question that the remastered Exile On Main Street, with its incredible unearthing of songs long presumed buried in Villefranche-sur-Mer, was the album we most anticipated, and it’s possible that “Plundered My Soul” was the best song released by any band other than Chappo.  It may well have been the music event of 2010.  And with those new tracks, it could even qualify as a “new” album.

But two years ago, when Dylan’s magisterial Tell Tale Signs was released with a few “new” songs but mostly rearrangements of songs that had been released earlier, we were moved to declare it #1 on Tulip Frenzy’s Top Ten List for 2008.  After all, we reckoned, when the history of 2008 is written, the release of Tell Tale Signs will be considered its landmark musical achievement.  And yet, in so doing, we screwed others.  We specifically screwed Kelley Stoltz, whose Circular Sounds, but for Dylan’s re-release, would have captured the top slot, going away.

And so we take this stand: we won’t list Exile as 2010’s top album, because in actuality it was 1972’s top album, and would have been so designated then by Tulip Frenzy if the gang hadn’t been more concerned with, like, passing Algebra 1 than publishing a blog.  This will offer justice to those young pups who deserve to be known as the makers of the Tulip Frenzy #1 Top Album of 2010.  We know who they are.  They are, for the record, younger than Mick’n’Keith, who while not quite needing walkers, certainly don’t need any more accolades than they get already.

Thanksgiving At The Audubon Society

Posted in Uncategorized with tags , on November 27, 2010 by johnbuckley100

Birds galore, but why take photos of animate objects when you have mysteries like this before you?

Leica M9, Noctilux f/0.95

The High Line

Posted in Uncategorized with tags , on November 21, 2010 by johnbuckley100

That’s the Empire State Building behind the thistle.  Leica M9, Noctilux @ f/0.95.

Two Data Points On The Brian Jonestown Massacre

Posted in Uncategorized with tags , , , , , , on November 21, 2010 by johnbuckley100

I don’t know about you, but when the BJM’s “Straight Up And Down” plays as the theme song for Boardwalk Empire, my pulse quickens.  It seems simultaneously to reaffirm Martin Scorsese’s hipster credentials and the Brian Jonestown Massacre’s greatness.  Not that either were ever in doubt.

But then last night, I watched Dig! for the first time in a while, and it was a reminder of just how tenuous Anton Newcomb’s hold on — what? everything: his music, his life, his sanity, his work — was for so many years there.  As he spirals down, as the band flounders, you could forget, for maybe a moment, just how extraordinary is the BJM’s contribution to the rock’n’roll canon.

(The most telling two lines in the movie come when a) Courtney Taylor-Taylor, having been brutal to Anton for much of the movie, states that just when he thinks he/the Dandy’s have caught up, he hears something new by the BJM and it takes his breath away, b) Anton, in one of his typical ego riffs states, quite accurately as it were, that when they started out, Pearl Jam was the biggest band in music, but how many PJ imitators are there now, versus how many BJM imitators?  Brilliant insight.)

The whole film is a reminder of what was, and we can compare it to the live output of the past two, three years.  We don’t much care for the Icelandic recording sessions that have found their way to the public, but having seen BJM three times since the Summer of 2008, it’s clear that Anton has found some measure of stability, and surely the band today is a glorious machine, as Anton hangs on and just plays one great song after another.

And so we gear up to watch another episode of Boardwalk Empire, knowing that “Straight Up And Down” is as oddly well matched to be the intro theme as “Gimme Shelter” was to be the soundtrack to Casino’s denouement.  Knowing just how great it is, and how close things came to Anton’s never having survived to hear his music reach this level of popular culture acceptance and veneration, is one of today’s many reasons for gratitude.

Hang On Tight

Posted in Uncategorized on November 19, 2010 by johnbuckley100

Leica M9, Noctilux @ f/0.95

A Correspondent Writes In Praise of the Fistful of Mercy And Brendon Benson Shows This Week

Posted in Music with tags , , on November 19, 2010 by johnbuckley100

A correspondent who has just had an unusually exciting week of live music attendance writes in:

“After the glorious spectacle that was the Sufjan Stevens’ concert at New York’s Beacon Theater, it was hard to imagine that the music I was in for the rest of the week could keep up with that quality and level of talent. But the second Hallelujah Chorus came in the form of Fistful of Mercy at the Sixth & I Historic Synagogue in DC, a location that did not go unnoticed or unappreciated by the musicians performing on the synagogue’s bimah Tuesday night. It doesn’t seem appropriate to call this performance a concert. It was more a high holy week jam session with some amazing musicians — Dhani Harrison, Joseph Arthur, Ben Harper and Jessy Greene.    From what I could see, they had 13 guitars, a keyboard, bongos.  The three guitarists were augmented by Green on her violin against the stained glass backdrop.   The show was actually better than I expected, for while the song “Fistful of Mercy” instantly grabbed me when I heard it on the radio, I found the rest of As I Called You Down disappointing. There was nothing disappointing about this live show. From start to finish it was a rousing and spiritual experience unfolding in in the sanctuary. “Fistful of Mercy” was a tour de force rising all the way up to the domed roof.  Lest you think the evening was all solemn and pious, the musicians filled the time between songs exchanging quips and jokes including one extended riff on becoming a heavy metal band.  The final song of the encore, “With Whom You Belong” was performed, unplugged, at the edge of the stage/bimah, and the band then wade into the crowd, Fleshtones style.

“The culmination of musical high holy week was a night of pure rock’n’roll at the another music mecca — the 9:30 Club.    It was a night of smart, creative, interesting rock’n’roll that you get from Brendan Benson, backed by the Posies.  I love Brendan Benson’s songs because his music is so full of surprises with melodies taking fabulous twists and turns across a song.  On his albums, those twists come across as precise movements but can sometimes border on being too neat’n’clean.  Nothing neat and clean about the ruckus raised by Benson and the Posies Wednesday night. On every song, the talent and quality of the musicians was on display and the twists and turns taken through the Brendan Benson classics were all present and accounted for.  Benson was the reserved and bemused straight man to the playful Ken Stringfellow and Jon Auer.  Benson and the gang closed their encore and my musical high holy week with an homage to Alex Chilton and a superb rendition of ‘September Gurls.'”

Ebony and Ivory

Posted in Uncategorized with tags , , on November 18, 2010 by johnbuckley100

Leica M9, Noctilux @f/0.95, with ND filter