Archive for November, 2013

New Images For Sale At The Stephen Bartels Gallery

Posted in Uncategorized with tags , , , on November 10, 2013 by johnbuckley100

SBGNovemberJB1

Leica M (typ 240), 50mm Summilux Asph

This afternoon in London, three more of our images were posted on The Stephen Bartels Gallery website.

We now have nine images at the gallery, which are for sale for a truly reasonable price.  Get your loved ones the gift of fine photography for the upcoming holidays!  Images can be purchased online, for as little as $48.00 for a 10″ X 8″.

There now are 51 exceptional photographers represented by the gallery, all highly individual in their styles, but connected by one common element: each of us use Leica cameras and lenses.  Whether you are in the market to buy photographs or not, check out the terrific range of photographers, and some really inspirational work.

Hear The Word, Parts 1 and 2

Posted in Uncategorized with tags , on November 9, 2013 by johnbuckley100

7th and H Street on a beautiful autumn Saturday is the center of D.C.   And don’t the street preachers know it.

Hear The Word

But there’s a lot of competition for everyone’s attention.

Hear The Word2

Leica M, 35mm Summilux.

Smile And Shoot

Posted in Uncategorized with tags , , on November 4, 2013 by johnbuckley100

Smile'n'Snap

Yesterday, as part of the FotoWeek DC festival, we had a portfolio review with the wonderful D.C.-based photographer Frank Van Riper.  Frank publishes photo books, runs photo workshops, and employs skills developed during his first career as a New York Daily News reporter to write about photography.  One of his favorite photographers is the late Gary Winogrand, whose massive retrospective will be installed at The National Gallery of Art next March.  In reading some of what Frank has written about Winogrand in the Washington Post,  we were reminded that Winogrand’s technique for disarming people on the street who might not at first understand why someone was taking their picture was always to smile and be friendly.  We tend not to have much problem doing so, which is how the photo above, taken on Friday, ended up with us having a nice conversation with the women who, in this frame, admittedly do not seem particularly happy…

Unposed

Not everyone likes getting their picture taken.  Or appreciates being surprised.

Smile when you shoot.  For when you do, people often respond in kind.

AUStreet-2

Next Week, At Long Frickin’ Last, First Communion Afterparty Release “Earth Heat Sound”

Posted in Music with tags , on November 4, 2013 by johnbuckley100

It has been a very long wait.  More than five years ago, First Communion Afterparty released Sorry For All The Mondays and to Those Who Can’t Sing, which was the best American neo-psychedelic album of the era, and one of the greatest albums this shuddering, heaving wreck of a land has erupted with since the Jefferson Airplane’s Bless Its Pointed Little Head.

Like every rock critter worth his salt, we counted the days until Earth Heat Sound, FCAP’s follow up, hit the stores.  We’ve been waiting since the fall of 2008, and in the meantime, the band went and broke up. Now, like the Count of Monte Cristo with scratch marks all over his prison walls, we can finally see the day when the album, recorded before their dissolution, finally gets released, for next Thursday, November 14th, First Communion Afterparty come out of retirement to release — we’d say posthumously, but if a band reforms for a show to celebrate the liberation of an album recorded before they broke up, what’s the word to describe it? Exhumously? — okay, we’ll use it.. To release exhumously the album we’ve been waiting for since 2008.

This past summer, we offered advice on how to survive the wait until Earth Heat Sound is finally frisbee tossed to the adoring fans at Turf Club.  The end is nigh.  All you have to do is sleep each night for the next 11 days, and the release date will be upon us.  At long frickin’ last.

Please tell us that, with the release party on a Thursday, the record will be available to us non-Minnesotans, shortly thereafter via iTunes or Amazon?

Targeted Advertising Fail

Posted in Uncategorized with tags , on November 2, 2013 by johnbuckley100

Not many Chinese poker players in this group. Leica Monochrom, 35mm Summilux Asph FLE.

The Poker Party

Dressed To Kill

Posted in Uncategorized with tags on November 1, 2013 by johnbuckley100

Halloween night, 14th Street NW. Leica C, ISO 1600.

Street Beauties Cropped2

Loved By A Tornado: Neko Case At The Lincoln Theater

Posted in Music with tags , , , , on November 1, 2013 by johnbuckley100

Neko Tornado 1

 

Leica C

On a raucous Halloween in the Nation’s Capital, Neko Case dressed like Adam Ant, but sang like a tomboy angel.  On this tour, with a show built on her front catalogue — particularly her career-highlight The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You — seeing Neko perform is a combination of listening to our favorite singer backed by ace musicians and our favorite writer read from her best short stories.  For by now, this is what Neko Case has become: no longer simply the girl with the gorgeous twang, but Flannery O’Connor with a backup band.  Last night, it worked to a fare-thee-well.

When she released 2004’s The Tigers Have Spoken, Neko’s live sound was an Americana counterpart to her work with the New Pornographers — upbeat, occasionally straight-ahead rock’n’roll with gorgeous country tones.  Even given how Blacklisted showed darkly comic and American gothic literary sensibilities, the Neko of that long-ago era was less complex, her music alternating between the Arizona desert sounds of her Calexico collaborators and her natural home as an Alt.country belter.  By Middle Cyclone, though, Neko had become maybe the most fascinating lyricist since Dylan, wildly ambitious, her words as complex now as her music, her gift for writing equal to her gift for singing.  Last night brought a full measure of this later, more mature Neko Case, and it was fine.

Neko Tornado 2

Leica C

The only song we really yearned for that we didn’t hear was “Prison Girls,” but that’s a trifle.  From gorgeous versions of “The Tigers Have Spoken” and “Calling Cards,” which showed off the delicacy of a band led by Jon Rauhouse to full effect, to the flat-out thunder of “I’m A Man,” we were treated to all our favorite late-period Neko songs, sung in close harmony with Kelly Hogan.  We could have stood to hear something other than a pair of Heart songs for the encore.  But as we stumbled out onto a U Street filled with goblins and witches, Neko’s baroque landscape seemed almost normal, and a great place to spend a few hours.

Neko Case Went As Adam Ant On Halloween, And It Was Awesome

Posted in Music with tags , , , , on November 1, 2013 by johnbuckley100

Lincoln Theater, DC.  Leica C.

Adam Ant