Leica M9, 50mm Summilux.
Archive for the Uncategorized Category
He Did It His Way
Posted in Uncategorized with tags 50mm Summilux, Leica M9 on November 24, 2012 by johnbuckley100Relaxing On Black Friday
Posted in Uncategorized with tags 50mm Summilux, Leica M9 on November 24, 2012 by johnbuckley100Tulip Frenzy’s #6 Best Album of 2012 Was Calexico’s “Algiers”
Posted in Uncategorized with tags "Algiers", Calexico, Tulip Frenzy Top Ten List on November 23, 2012 by johnbuckley100Not for the first time has Calexico, America’s finest purveyors of authentic Southwest musical chili con blood’n’guts, made it on our Top Ten List, and Algiers was some kind of revelation. As we noted, “Algiers wasn’t recorded, as you might have expected, in the roiling sandstorm of North Africa, but the Louisiana precinct of the same name. And how does humidity leaven the Tucson-based band’s first album since the brilliant Carried To Dust from 2008? It actually doesn’t seem to have affected it much at all. Algiers may be the most radio friendly Calexico album to date, but it is still filled with enough slickrock mystery to animate a B. Traven novel, with all the humanity, though a lower body count, of something by Cormac McCarthy. The latter may have migrated, like so many others, from Appalachia to the Deep South to the Southwest Desert, the reverse route of Calexico on at least this album, but he always maintains an essential American talent for mayhem, and so do Calexico, as American as pico de gallo.”
Tulip Frenzy’s #7 Best Album of 2012 Is Thee Oh See’s “Putrifiers II”
Posted in Uncategorized on November 23, 2012 by johnbuckley100One of the pleasures of the year was discovering Thee Oh Sees. And just when we thought we had a handle on the prolific San Francisco punk rockers, they released the ambitious + commercially viable Putrifiers II. As we said at the time, “It actually is kinda hard understanding Thee Oh Sees, whose new album Putrifiers II stimulates all body parts, from the tips of your toes to the furthest cranial hideaways. How could a band that, just last year, in their epic punk rock masterpiece Carrion Crawler/The Dream, harken to the heyday of “Final Solution” Pere Ubu and give Capsula a run for their pesetas as the band you’d like to pogo to, come back with something so jaw-droppingly boss’n’beautiful as Putrifiers II? There’s punk rock galore on this album, but saying it’s a punk album is like saying Sgt. Pepper’s is rock’n’roll — there’s rock’n’roll on it, but so much more! Just when you think you’ve got them pegged, they wriggle out of your mind’s definition and confound you! And if that’s not the mark of a first-rate rock’n’roll band, we don’t know what is.”
This Is The Church, And This… Oh.
Posted in Uncategorized with tags Leica 35mm Summilux FLE, Leica Monochrom on November 23, 2012 by johnbuckley100Dylan’s Fine Show At Verizon Last Night
Posted in Uncategorized with tags Bob Dylan, Dylan at The Verizon Center on November 21, 2012 by johnbuckley100I suppose that, if Stanley Kubrick and Stephen King had conspired to move the hotel in The Shining to some hill region outside of Memphis, they would have built a set, and clothed the amazing band Dylan plays with, for the barroom scenes. For Dylan’s whole presence these days is meant to conjure us back to a day that never existed, when bands effortlessly plied the waters between blues and rock’n’roll, and most of all swing. Bob Wills and his Texas Playboys comes to mind when we see them, Dylan in his black velvet pajamas with the red stripe and his hat on, the band all clothed in stage suits and standing dutifully in their places. Has there ever been so subtle a band, so supple a band, to play big basketball arenas?
His voice strong, but caught in that low-growl single register with its barks for emphasis, Dylan and His Band — yeah, His Band — played wonderful versions of “Tangled Up In Blue,” “Highway 61,” even a lovely encore of “Blowin’ In The Wind.” “Early Roman Kings” was especially strong, for how could it not be with George Receli, the closest incarnation we have to the great blues drumming of Fred Bellow, kicking the band through its paces. Dylan was frisky, playing barrelhouse piano, mostly, though of course he is so perverse that when it came to a great version of “The Ballad Of A Thin Man,” the one song that live he used to play piano on, last night he didn’t. Go figure. Every time the band sounded spectacular, it was because Dylan hit just the right note, and every time the band was off, it was because he hit the wrong note. After 50 years of playing it, he can play “A Hard Rains A-Going To Fall” any damn way he wants to. It’s his band. His show. We continue to give thanks we get to see him.
Dylan Returns To The Verizon Center
Posted in Uncategorized with tags Bob Dylan, Dylan at The Verizon Center on November 21, 2012 by johnbuckley100Craig Semetko At The Leica Store During Fotoweek D.C.
Posted in Uncategorized with tags "E Pluribus Unum", "Unposed", Craig Semetko, Kickstarter, Leica Store D.C., William Palank on November 15, 2012 by johnbuckley100
Craig Semetko is an American street photographer whose book Unposed, published in 2010, announced a sensibility that was one part oxygenated fresh air, one part laughing gas. In the best tradition of Elliott Erwitt, who wrote its forward, or even Joel Sternfeld, Semetko is blessed with a great eye, a wonderful sense of humor, and enormous luck. For only luck can explain how a photographer with his point of view could have found, on a Parisian street, a man walking toward him, as he described it in a wonderful talk at the Leica Store in DC this afternoon, “with what looked like a tampon coming out of his nose.”
As for the great eye, Semetko’s mantra can be remembered as D.I.E., with the first letter standing for design. Like his hero Cartier-Bresson, Semetko understands that the action that takes place in front of him will rise to the level of art if it is captured inside well-ordered dimensions and lines. The second letter stands for information — what the image is telling you. And the third stands for emotion, which often as not in his work, is humor.
It makes sense that humor suffuses so many of his images, because — like another wonderful contemporary Leica photographer, William Palank, who picked up a Leica and embarked, mid-life, on a second career — Semetko came to photography late. You see, he had established himself as a comic, mostly working corporate events. His prior career trained him to stand before a crowd and entertain them, as he did today at the Leica Store. But it gave him something more: an ability to capture visual puns, like his image from Unposed that shows a boy selling balloons as a woman with quite large breasts walks into the frame.
Today Craig showed work from his new project, “E Pluribus Unum, which has sent him on the American road, like a modern Robert Frank, capturing all the grit, glory, and absurdity of America today. Photographically, his new work, mostly in color, shows enormous growth and greater depth than Unposed. He’s partly exchanged his signature humor for something deeper, and more meaningful. The project is far from complete, and you can support it, like those of us at Tulip Frenzy have, by going to his Kickstarter page and chipping in. If you do, consider yourself a patron of the arts, for art it is that Semetko’s serving, even as he makes you laugh.
Final note: The Leica Store is hosting Semetko tonight as part of its support for Fotoweek D.C. Fotoweek D.C. is a Washington institution that stretches over a week each November. The Leica Store D.C. has, in just a few short months, insinuated itself into the cultural life of D.C. not simply as a purveyor of high-end photography gear, but as a genuine community center for anyone interested in photography. Today’s talk by Craig Semetko is just one of many such free events they’ve hosted since they opened in May, and we are grateful for it, and for them.





