Archive for the Uncategorized Category

Rose Frenzy

Posted in Uncategorized with tags , , on November 20, 2009 by johnbuckley100

Leica M9, 35mm pre-Asph Summicron, V. 4 (the so-called King of Bokeh), ISO 80, f/2.

Getting A Handle On Selective Focus

Posted in Uncategorized on November 20, 2009 by johnbuckley100

M9, Nokton 50 f/1.1

1975 As Talisman In Bildungsroman

Posted in Uncategorized with tags , , on November 20, 2009 by johnbuckley100

We have exhibit A, The Savage Detectives, the posthumously published novel by the Chilean writer Roberto Bolano — he being probably the greatest talent to have emerged from South America since The Boom, when Garcia Marquez, and Cortazar, and Vargas Llosa made their presence felt — which secured his reputation in Estados Unidos, slow to catch on to this secret of the Iberian world, and prepared us, if preparation were possible, for 2666, which surely stands in the front rank of best novels of this decade.

And now we have The Museum of Innocence by Orhan Pamuk, the Nobel Laureate and first man of Turkish letters, author of the beguiling yet disturbing Snow, as well as My Name Is Red.

The Savage Detectives is largely a Bildungsroman about Mexico City teenagers in the middle of the ’70s, 1975-’76 to be exact.  The Museum of Innocence is also about a young man coming of age — or more precisely, a 31-year old man and his love for his beautiful 18-year old distant cousin, also in the summer of ’75.

Two different continents, two different traditions, two different explorations of youth and love and sex in 1975.  For years, 1968 has lorded over all of us born too young to have been hurling rocks that year at the French gendarmerie, too young to have been chasing tanks in Prague, to have seen the Doors at Ondines in New York.

Could 1975 be making its mark?

What If Dali Got His Hands On The Nokton?

Posted in Uncategorized with tags , on November 18, 2009 by johnbuckley100

Leica M9, Nokton 50mm, F/1.1, Wide Open…. Obviously.  (What is that thing melting in the background?  A clock?)

The Leica M9 After Eight Weeks

Posted in Uncategorized with tags on November 13, 2009 by johnbuckley100

On 09/09/09 Leica announced it was releasing the M9, a digital full-frame rangefinder, available immediately.  In the rarified world of Leicaphiles, this was not quite the Second Coming, nor the announcement of a cure for cancer, but it was close. I was extremely lucky to get one early — supply has well outstripped demand, waiting lists are long, and as of early November, rumors spread that one of Leica’s suppliers had “let them down.” The members of the Leica Forum who have patiently waited for theirs are getting less patient, deservedly so.  But I was, as I said, lucky, and on September 22nd, I posted a review after a single day’s use: 24 Hours With the Leica M9 Additionally, I have put together a gallery of M9 images here: M9 Images

I’ve now been using the M9 on virtually a daily basis for eight weeks, and while I believed at the outset that it was “the perfect camera,” and by definition you can’t improve on such an accolade, I’ve nonetheless grown to think of it as something more.

As a writer, I’ve long believed I “think through my fingers.” That is, I don’t know exactly what I think until the act of writing clarifies everything; my fingers on a keyboard are an extension of my mind, and typing is a more precise medium than speaking, not just for conveying thought, but for actually processing it. Henri Cartier Bresson talked of his (Leica) camera as an extension of his eye, but even though I’ve taken pictures all my life, it wasn’t until I started carrying an M9 around with me that I understood what he meant to the same extent that I understand the concept of thinking through my fingers.

Women with Apple

One reason some photographers fall in love with a rangefinder like the M9 is because it is small, discrete, you don’t freak people out standing in a outdoor market while people choose their apples.

I say that the M9 becomes an extension of the eye, not simply because when you’re carrying a camera, you mentally frame what you see.  The M9 becomes an extension of the eye because you begin to think in terms specific to it, and to the blessing of fast Leica lenses with their magnificent bokeh, or selective focus.

Cubism

The M9 weighs 22 ounces without a lens.  The full-frame SLRs — those Indy Car monsters that can race faster but perhaps not as elegantly as the Grand Prix model Leica — all weigh about as much as a 7th-grader’s book bag; the M9, with a 35mm Summicron lens can literally fit in my coat pocket.

Aside from the fact that the M9 takes 18 megapixel images on a full-frame sensor and produces large (up to 32 mb) RAW files, the photographic advantage of any Leica M are the rightfully acclaimed M lenses, which wide open have a signature in the diffusion of detail from the in-focus to the selectively out-of-focus area.

Sundial

In the focused-upon area, these lenses can be crisp as a breadstick.

No Tres

Or soft and creamy in the out-of-focus area.

DumOaks1

The M9 is amazingly versatile for such a small camera, with much better high ISO performance than the M8 (if still not the ISO 3200-without-noise of the legendary Nikon D3 or other comparable cameras.)

BillDevil

An M9 is to ur-Leicas what I imagine a present-day Porsche 911 is to its same model number from the 1960s: recognizable in form, easy to use by anyone familiar with the concept, simple and classic without certain doodads necessary to sell other cars, but updated for the modern era.  Yes, there are point and shoot cameras with image stabilization and live view monitors and cheap DSLRs with 62-point focusing (I have no idea what the actual number is), whereas the M9 is a simple, classic tool, able to capture images virtually identically to the way one would have captured them with a film camera in 1973.

King o Road

It has been 8 weeks that I’ve been able to work with an M9.  I have no complaints. Oh, I wish it was water-sealed.  And there have been a few times when it has frozen, just like my M8s did.  But it’s a pretty glorious contraption, built to last, built to be an extension of the eye by which you can capture whatever it is you come across in your daily walk.  I suspect I will carry it, or its successors, until I look like this guy.

Skel

Beyond Here Lies Nothing

Posted in Uncategorized with tags on November 12, 2009 by johnbuckley100

Don’t go out that door….  Leica M9, 21mm Summilux

An Entrepreneur Seeks His Leica M9, One Tee Shirt At A Time

Posted in Uncategorized with tags on November 12, 2009 by johnbuckley100

My rangefinder tee-shirt arrived in the mail, and I must say it’s comfortable.  Click on the link below to read the story of the man who, desirous of the Leica M9 but slightly short of the scratch to get one, became a micro-retailer with a big goal.  Here’s hoping his M9 is delivered, if not by a dealer, then at least by Santa.

Selling Tee Shirts to Buy An M9

Veterans Day And The Flag

Posted in Uncategorized with tags on November 11, 2009 by johnbuckley100

Leica M9, 35mm Summilux

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Waiting

Posted in Uncategorized with tags on November 10, 2009 by johnbuckley100

Leica M9, 35mm Summilux, ISO 160, Wide Open

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Cubism At The Swedish Embassy

Posted in Uncategorized with tags , on November 8, 2009 by johnbuckley100

There was a decent exhibit at the Swedish Embassy in conjunction with DC Foto Week. Entitled “What Lies Beneath: Nature and Landscape in EU Photography,” entrants from 14 EU countries exhibited one photo each.

Afterward, I stepped out onto the portico that looks out at the Potomac, but on the side of the Embassy where the C&O canal draws its water, what lay beneath was nature and landscape in the District of Columbia, and it all seemed to come together in my eye like a Cezanne.

Leica M9, 21mm Summilux, ISO 80 (for maximum bokeh.)  Focus is on the rivet in the glass wall/railing.

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