Archive for Mikal Cronin

The # 4 Album On The 2013 Tulip Frenzy Top Ten List Is Mikal Cronin’s “MCII”

Posted in Music, Uncategorized with tags , , , on December 8, 2013 by johnbuckley100

We loved Mikal Cronin’s MCII so much that weeks after we first heard it, we began to obsess over it.  We literally couldn’t get it out of our mind — or play anything else.  From Ty Segall friend and acolyte, to superstar in his own right, Mikal’s second album was an amazing confection of power pop and rockn’roll, the songwriting strong, the playing sharp.

Here’s what we thought at the time:

“We enjoyed Mikal Cronin’s first solo album, but honestly, the reason we were so interested in him was in his role as a Ty Segal sideman and collaborator. The reflected glory, the association, was sufficient to get our attention, but to hold it, he needed to produce a record we wanted to listen to as avidly as anything done by his harder rocking, shaggy friend.  Happily, now comes his wonderful second album, MCII, which fits directly into a modern power pop milieu familiar to anyone who loves the New Pornographers/A.C. Newman or Brendan Benson/Raconteurs.

But damn if, on the third album’s third song, “Am I Wrong” — the song on which Ty lends a hand — you don’t immediately think of Kelley Stoltz.  Wait, you don’t mean… Yes! We have the missing link!  The twain has met,  Ty Segall and Kelley Stoltz are connected!  See the electricity arc! Somewhere busking in the middle of Union Square, we see Ty and Kelley backing up Mikal, who by now has joined their ranks!

It’s a terrific album.  It would take the FBI to distinguish between the falsetto registers that Mikal and A.C. Newman can sometimes hit, which is a compliment.  In fact, there are moments when we swear we’re listening to the new album by Woods.  But this is a wholly original, deeply satisfying foray into modern American power pop, and wholly worthy of your interest in its own right, not just as an extension of Segallmania.”

 

Tulip Frenzy 2013 Top Ten List ™ Shortlist Announced

Posted in Music with tags , , , , , , , , , , , , , , , , , , on November 30, 2013 by johnbuckley100

So we promised Magic Trick that we would wait for River Of Souls, out Tuesday, before locking the ballot box on the Tulip Frenzy 2013 Top Ten List ™.  We  will save them a spot on the shortlist, okay?  Below, in NO PARTICULAR ORDER are the bands in consideration.

At Tulip Frenzy World HQ, the horse trading, lobbying, and outright bribery are in full force.  We’ve cast a sideways glance at our competitors, and let us just say that this was one of the rare years in which we did not automatically scoff at the Uncut Top 50 list, and they did settle one thing for us:  yes, the Parquet Courts album is to be considered this year, even though it actually was released last November.  But no one listened to it until January 1, when we were all suddenly forced to grapple with a) 2013, and b) the Parquet Courts’ greatness.  But mbv as the Album of The Year?  Please, nice to have Kevin Shields back but it’s not really that good.  Still, could have been worse.

We should note that we are NOT considering the Bob Dylan 1969 Isle of Wight release, even though it finally came out this year, and even though it is simply amazing.  Why is it ruled out by the judges? Because we don’t think that’s right to knock a band in their prime out of consideration just because another incredible album fought its way out of the Dylan archives.  But here’s a pretty great set of bands/artists who will be considered:

Houndstooth

David Bowie

Kurt Vile

Phosphorescent

Crocodiles

Robyn Hitchcock

Parquet Courts

Thee Oh Sees

Kelley Stoltz

Magic Trick

Neko Case

Capsula

Deathfix

Secret Colours

Kevin Morby

Wire

First Communion Afterparty

Mikal Cronin

In consideration: 18 artists.  It’s going to be a long few days of wrangling in these here parts. Stay tuned.

 

At Comet Ping Pong, Mikal Cronin Replenishes The Tree Of Real Rock’n’Roll

Posted in Music with tags , , , , on June 22, 2013 by johnbuckley100

MikaelComet

iPhone 5

Seeing Mikal Cronin play at nearby Comet Ping Pong was as disorienting as it would be to see Ty Segall play at your child’s elementary school cafeteria: at once familiar, intimate, but almost dream-like in its jumbled combination of figures you never expected to see in that particular locale.  His set relied, it seemed, far more on songs from his eponymous first album than on the brilliant MC II, which loyal Tulip Frenzy readers know we have grokked so thoroughly that it haunts us.  He kicked off the set with “Is It Alright” and played “Apathy” before getting to the amazing “Am I Wrong” from the new album.  Playing an electric 12-string while fellow vets from the Ty Segall Band thrashed out his unique mash-up of Beatles’n’Beach Boys-meet-punk-rock’n’Lemonheads, a cool ocean breeze from California beaches swept through a room ordinarily given up to vicious ping pong matches between fathers and their six-year old daughters.  It was a fun evening, and he was great.

We wonder if, had we stumbled across Cronin outside of the context of Ty Segall — like everyone else this side of Laguna Beach, we first became aware of him via his collaboration with his pal on Reverse Shark Attack — how would we rank him? Where would we sort him on our taxonomical scale? Which aquarium would we try to place him in lest he eat the comparative guppies or get eaten by the bigger fish? The temptation is to view Mikal as an Earth-sized planet revolving around Ty’s Sun-sized talent, but MC II reveals him to be far more than that.  Yes, we are anxiously awaiting Ty’s August release of Sleeper, but it’s going to have to be darn tasty to exceed the savory pie Cronin released in May, not to mention the live show we saw last night at our favorite children’s pizza place cum ping pong stadium.

Still, it’s sufficiently impossible to separate Cronin from Segall that there’s no point in trying.  Segall plays on Cronin’s album and vice versa, Cronin’s songwriting has surely benefited from close collaboration with the freshest American rock’n’roll songwriting talent since maybe John Fogerty, and they share, among other things — a locale, an approach, a drummer — a gloriously catholic take on modern rock’n’roll — Segall a tad more influenced by Kurt Cobain, Cronin by Brian Wilson.

Word has it that Mikal stuck it through to get a college degree from music school, and recently.  We don’t know if that’s true, but if so, it reveals something about his earnestness and responsibility.  And ambition.  Based on how excellent he and his band were last night, even in the face of the expected bad sound in a small back room in a pizza parlor, given the genius-level pop chops revealed on MC II, this is a kid who completely has it together, and is going far.  The tree of rock’n’roll is replenished by the fresh blood of talents like Mikal Cronin.  This morning we are groggy from the experience, but grateful, and at peace with the future.

The New Mikal Cronin Album, “MCII,” Has More Hooks Than A Boat Full Of Fishermen

Posted in Uncategorized with tags , , on May 15, 2013 by johnbuckley100

Just a week ago, we raved about the new Mikal Cronin album, MCII.  So why do we feel the need to post on it again?

Because it is torturing us.  We wake up in the middle of the night with “Am I Right?” blaring on our subconscious jukebox.  We take a shower in the morning and “See It My Way” spontaneously jumps out from under the soapdish.

We can’t get enough of that psychedelic cello interlude in “Change.”  We start saying to ourselves, well, the last few songs aren’t as good as the first four.  And then start humming along to “Turn Away” like its Mikal’s next hit single!

We try playing other music — hey, the new White Fence is a change of sound, right? — but our ear buds threaten to be our ear former-friends, unless we play Mikal Cronin.

Look, we said it was a good album.  Did we know it could grow on us like kudzu, like Necrotizing fasciitis, like a runaway metaphor?

We told you we thought he was great.  Did we tell you that this album has entered our consciousness on an equal footing with Ty Segall’s Twins?  We need relief! You need to buy MCII.  But only if you sleep soundly and don’t listen to songs hiding under your soapdish.

Mikal Cronin’s “MCII” Provides The Missing Link

Posted in Music with tags , , , , , on May 9, 2013 by johnbuckley100

Followers of Tulip Frenzy know that we have marveled for some time about how San Francisco could have in Ty Segall and Kelley Stoltz two artists who are both so alike and so different.  Ty heads to his basement studio all by his lonesome and produces album after album of thundering punk’n’psychedelic glories.  Kelley climbs the creaky stairs to his atelier and without any assistants crafts these pop gems that seem like a mashup between Ray Davies and Hermes’ finest saddle maker. These two towering talents may as well have been operating on different planets, not the same area code.  Until now…

We enjoyed Mikal Cronin’s first solo album, but honestly, the reason we were so interested in him was in his role as a Ty Segal sideman and collaborator. The reflected glory, the association, was sufficient to get our attention, but to hold it, he needed to produce a record we wanted to listen to as avidly as anything done by his harder rocking, shaggy friend.  Happily, now comes his wonderful second album, MCII, which fits directly into a modern power pop milieu familiar to anyone who loves the New Pornographers/A.C. Newman or Brendan Benson/Raconteurs.

But damn if, on the third album’s third song, “Am I Wrong” — the song on which Ty lends a hand — you don’t immediately think of Kelley Stoltz.  Wait, you don’t mean… Yes! We have the missing link!  The twain has met,  Ty Segall and Kelley Stoltz are connected!  See the electricity arc! Somewhere busking in the middle of Union Square, we see Ty and Kelley backing up Mikal, who by now has joined their ranks!

It’s a terrific album.  It would take the FBI to distinguish between the falsetto registers that Mikal and A.C. Newman can sometimes hit, which is a compliment.  In fact, there are moments when we swear we’re listening to the new album by Woods.  But this is a wholly original, deeply satisfying foray into modern American power pop, and wholly worthy of your interest in its own right, not just as an extension of Segallmania.

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