Archive for the Music Category

Robyn Hitchcock’s “GoodNight Oslo” Meets A.C. Newman’s “Submarines of Stockholm”

Posted in Music with tags , , , on February 21, 2009 by johnbuckley100

It’s one of life’s great paradoxes that Robyn Hitchcock, perennial jokester, can also write the most emotionally breathtaking songs.  Going all the way back to his earliest days with the Soft Boys, Hitchcock’s shined underwater moonlight on creatures from the deep, as if afraid to deal with things on the surface, straight up with a frontal view.  Maybe it’s because when he looks at life head on, he captures it so beautifully.

It’s hard to go wrong with Peter Buck and Scott McGaughey in your band, though admittedly there are the usual batch of fish that should never have been landed, that flop around the dock.  I count six keepers, which is a pretty good catch in stormy seas. Still, while not as great a collection of songs as Ole! Tarantula was a few years back, Goodnight Oslo’s in the upper tier of Hitchcock’s solo work, with shimmering guitars and the Minus 5 glee club out in force. “I’m Falling” is as pretty a song as he’s written this century, as pretty as “Raymond Chandler Evening,” and the title track lingers in the mind like a painting by Edvard Munch.

In Get Guilty, A.C. Edward’s second solo album, the best song finds him chugging into the Stockholm harbor, running silently and deep as thrillingly as in any rock song reference to submariners since the Swell Maps.  Tulip Frenzy’s taken a while to write about this album because it disappointed, though it’s since grown on us, like a small tree emanating from our forehead.  Look, The Slow Wonder was such a magnificent work, a bridge between New Pornographer outings Twin Cinemas and Challengers, that we had really high expectations.  While The Slow Wonder never once seemed like these were songs to which Neko and the gang had shaken their heads, “uh, no,” there are moments when Get Guilty does seem like it could be a demo tape for the next New P’s outing.  A consumer report would clock this one as having maybe four really good songs, which is well below Carl’s standards.  But this is A.C. Newman we’re talking about, and when he’s good, he’s great.  “The Collected Works” ranks up there with “Fortune” and “Secretarial” and “Spanish Techno.” There are reasons to throw your hat in the air and whoop.  Just don’t do it in a submarine.

Bigger Than The Led Zep Reunion, Magazine Comes Back for Five Gigs

Posted in Music with tags , , on February 7, 2009 by johnbuckley100

Beginning next weekend, alas, across the pond.

From the Guardian:

In subsequent years, one of pop’s great talents has been frustratingly detached. A 1983 solo album, Jerky Versions of the Dream, was followed by two albums as Luxuria and a reunion with Shelley for 2002’s Buzzkunst. In the meantime, Magazine’s legend has grown. Devoto was working on some music under the name Death Sweet and, typically, thinking of donating the proceeds to the campaign for assisted suicides (“Not very commercial, hah!”) when the group’s former members began working – separately – on a Formula solo album. A promoter offering Formula some live dates subsequently sent a “very hesitant email” enquiring as to the possibility of reuniting Magazine. Formula contacted bass player Barry Adamson, drummer John Doyle and Devoto.

“Dave made me an offer I couldn’t refuse,” says the singer, drily. “He said ‘Howard, it’s your last chance to be venerable.'” Sadly, McGeoch won’t make the reunion – he died in 2004, meaning the band are again having to replace “one of the batteries”. However, Formula insists that when they take the stage again – with Devoto’s former Luxuria partner, Noko, on guitar – they will “be Magazine”. Perhaps, back in the band who are loved more now than at the time, Devoto will finally achieve that sense of belonging.

“I still see the three guys I hung out with in my teens,” he considers, allowing himself a smile. “I like old gangs.”

· Magazine play London Forum (February 12-13) Glasgow Academy (16) and Manchester Academy (14 and 17). The Complete John Peel Sessions is out now on Virgin/EMI

______________

So this is what Howard Devoto looks like now (link below.)

http://www.guardian.co.uk/music/2008/dec/12/magazine-howard-devoto

The Morning After Girls At The Mercury Lounge 1/27/09

Posted in Music with tags , on January 28, 2009 by johnbuckley100

The Morning After Girls are ready for prime time, ready for their close up, with a live set that takes the best from their new material — “Who Is They” finished the set — and the best of the old.  This is a powerfully constructed band, with tight vocal harmonies woven like a sash between Sasha Lucashenko and Martin B. Sleeman, who share guitar duties.  

Long ago, the story goes, novelist Scott Turow mentioned to his law firm partners that he would soon have a thriller out, and his partners asked if it was going to be big.  He was confident enough – and knew his publisher’s budget – to say, “It’s going to billboard-on-the-back-of-the-bus big.”  So goes the suspicion about what the Morning After Girls could  be.  They could be Oasis big.  They’re also going to delight critics, most of the time.  Think of the Stone Roses, at least for the vocals. And they split the difference between the louche ’60s guitar sound of the Brian Jonestown Massacre and the tight hook-laden pop careerism of the early Dandy Warhols.  You know they were torn over who to root for when they saw Dig!

The problem with the Mercury Lounge as a showcase is they got about two seconds to set up, and the sound’s bad to begin with.  And this is an ambitious  band whose guitar lines are precise, who use pedals and phase-shifting atmospherics, and whose harmonies need to jell. Too often it sounded like one of the guitars was just a little out of tune, or at least stuck in the maw.  Oh, but when they rolled through “Shadows Evolve,” and got to “Chasing Us Under” it all worked.  The vocals were on, the guitar lines snaked over and around each other.  “Chasing Us Under” was worthy of Dean Wareham and Sean Eden, maybe even Lloyd and Verlaine.  For a band built on melody and guitar dynamics, they put up a big ruckus.

The new members of the band play tight.  Can’t wait, for their sake and ours, for The Morning After Girls to play a set with clean sound, after a sound check.  A very good New York debut under less than ideal conditions.

The Morning After Girls Speak

Posted in Music on January 26, 2009 by johnbuckley100

An interview here:

http://www.kevchino.com/interview/morning-after-girls/79

It reads more like an email exchange than an actual conversation.  News:  album expected “at this time” in March/April, at which point a US tour is being pulled together.

The Soundtrack of Our Lives’ “Communion” Is The First Great Album of 2009

Posted in Music on January 25, 2009 by johnbuckley100

At last we have the first great album of 2009, and it’s about time, too.  After all, the year’s three weeks old and so far nothing.  Maybe 2009 knows there’s a recession, and it’s getting off to a lazy start.  And no, it’s not the Animal Collective’s Merriweather Post Pavilion (though as a Washingtonian, I like the title.)  That album is so utterly boring and utterly praised you know it’s going to be #1 on critics’ lists at the end of the year, unless Portishead come out and do a reggae album with Willie Nelson and Radiohead or something.

The Soundtrack of Our Lives are rock classicists, the way Kelley Stoltz is a rock classicist, the way Robert Pollard and Bob Mould are rock classicists.  They understand that the basic form of songwriting created by Ray Davies and Pete Townshend worked pretty well in rock’s Pleistocene Age, and can still serve as a bedrock foundation for whatever ambitions they have.  In this case, Communion is a 24-song double album that has as many adventures as there are hours in the day, as there are plotlines for Jack Bauer.  By turns beautiful, thrilling (cf. “Thrill Me”) and full of freeze-dried fruits from Scandanavia, it’s as impressively structured as the new Swedish Embassy.

Somehow, I don’t think the crowd drooling over Animal Collective is going to go for a band that has Keith Moon drums and power chords.  But down here at Tulip Frenzy World HQ, the gang thinks this is the second best thing that happened this week, following the little changing of the guard on Pennsylvania Avenue.

Morning After Girls Post Free Dowload, Info On New Album

Posted in Music with tags , on January 23, 2009 by johnbuckley100

The song “Shadows Evolve” is now available for download here: http://themorningaftergirls.com/

On the Mercury Lounge website, previewing their show Tuesday night, there’s a write-up that gives us more information on their new album, which would appear to be called Life, Alone, than we have gotten on either their website or MySpace page.   (See below.)

“Shadows Evolve” is pure BJM guitar goodness, with softer vocals.  Good stuff.  Can’t wait for the album.  Also, note below that they declare they will be touring extensively in the US in 2009.

UPDATE: So I wondered why the British version of the album we know as Prelude EPs 1 and 2 was called Shadows Evolve, and of course it is because the song is 4 years old…  So not from the new album.  Though great — so great, one wonders if in its entirety, the new album can live up to the standard set by their first releases.  So far, based on what’s on their website, the answer is yes: great guitar work and song structure, though the vocals seem a little… prettier.  We shall see.

The Morning After Girls
over the past year and a half, the morning after girls have taken the time to reflect upon their journey so far. in this time of fast development, transient communication, and transparent meanings, they felt it was their responsibility to take the time to really contemplate what life, music and basic human existence means for us all today. what resulted from this, is a new album, resting on the creative base of sacha lucashenko and martin b. sleeman. over the past year, the album has journeyed through different times, different places, different relationships, different personalities; all of which are so vital to gaining a complete representation of what it’s like to live through the days of this thing we call “life”. the album was recorded in various parts of melbourne, australia, and was mixed and produced by martin and sacha, with alan moulder at the helm.

in an age where the speed of development is thought to bring people together, it seems that most of us may feel a greater sense of isolation than ever before. technology seeks to connect, but it seems many of us feel a lack of the reality which binds us all; meaningful connections. this is not a new theory by any stretch of the imagination, but, simply, over this past year and a half, the morning after girls have managed to celebrate this very feeling of aloneness by creating an album that is simply an exploration of the very things which makes each one of us truly unique, truly apart from the next, purely, alone.

as was always planned, martin and sacha relocated to new york city in 2008, and with the inclusion of ej hagen (bass guitar), alexander white (keys, sounds, percussion), anthony johnson (drums, percussion) and alexander white (keys, sounds, percussion) , the band will again be touring extensively throughout the usa and abroad in 2009, starting with shows at new york’s mercury lounge (jan 27th), and los angeles’ viper room (jan 29th).

indeed, it is easy to say that Life is a constant flow of beginnings and ends, inhaling and exhaling, rising and passing. well, the morning after girls’ voice remains steady and stronger than always, and as you join them on this journey, you will see that there is not a call, nor text, nor an email that you need to attend to. there is simply the true presentation of the bond between your heart, soul and mind. all binded by the beauty of that which can never be broken – music.
they are here to stay,and are grateful to have you with them.
thank you for joing them.
there is no other way.
thank you.

Pride (“In The Name Of Love”)

Posted in Music with tags , on January 19, 2009 by johnbuckley100

Happy MLK birthday from the Lincoln Memorial, January 18th, 2009. Leica M8, 50mm Summilux.u21

The Morning After Girls Post New Songs On Their Website

Posted in Music with tags , on January 14, 2009 by johnbuckley100

Unfortunately, there’s no release date set for the album, no reference to a label.

To the music industry: here’s a chance to redeem yourselves.  Sign this band, buy their album, promote them.  They have a following.  And they’re great.

Unfortunately their widget doesn’t load to WordPress, but maybe it will load to your page.

http://www.themorningaftergirls.com/

Camper Van Beethoven’s Silver Anniversary, And “New Roman Times” Revisited

Posted in Music with tags , , on January 9, 2009 by johnbuckley100

Last night, Camper Van Beethoven played the State Theater in suburban Washington as part of their 25th Anniversary Tour.  They were great.  David Lowery, the world’s most unassuming rock band frontman (at least with CVB; in Cracker’s glory days he could, on occasion, strut maybe five feet to the right and left) now looks like a suburban Republican dad, or at least like PJ O’Rourke.  Jonathan Segal was in especially fine form on fiddle.  Greg Lisher did his best deadpan Jimmy Page impression.  Victor Krummenacher was, as always, amazing on bass.  And Frank Funaro — was that Frank on the skins when they played the 930 Club in, oh, 2005? — earnestly walloped the drums in rhythmic patterns ranging from gypsy ska to punk from the Steppes: no easy fete.

People tend either to adore CVB or not take them seriously.  And yes, going from a four-chord rock song to some weird take-out on klezmer music makes one, on occasion, wonder if they missed their calling as the world’s greatest hippy bar mitzvah band.  I actually think their over-the-top eclecticism, their virtuosity, the way an ordinary verse-chorus-bridge-verse song can suddenly effloresce into a moment of aching beauty means these guys are serious artists who ought to be reckoned with.  

And I was thinking — thinking as they played “Take The Skinheads Bowling” and “Eye of Fatima” and other alternative hits, high on irony, musical jokes — that it says something that Camper Van Beethoven was the only band in existence (okay, maybe Steve Earle) that genuinely took on the Bush Administration and the Iraq War with anything that approached artistry and depth, without posing or self-congratulations (Dixie Chicks), without just reverting to use of the old ’60s bludgeon- form (Neil Young, and a slew of others.)

New Roman Times came out in 2004, just a year into the War in Iraq.  On examination, it’s not merely the best thing they’ve ever done in their quarter-century existence.  It is one of the few works of art focusing on America in this wretched period we’re about to leave behind, that I believe will stand the test of time.  It’s not a screed.  It’s a deeply moving album with great music and a funny concept/story that, even though it kind of falls apart, is an unheralded work of comic brilliance.    (In 2004, the world was not quite ready for a rock concept album that declared the Bush Administration’s Iraq policy a tragicomedy.)

A young man joins the military (“51-7”), goes off to Iraq (“Might Makes Right”), becomes disillusioned upon his return to Austin (“New Roman Times”), and becomes a stoner participant in a Blackwater-like “security firm” (“The Long Plastic Hallway,” “I Am Talking To This Flower.”)  Along the way, there are detours into telling the Unibomber story (“Militia Song”), and of course it winds up with a classic CVB anthem (“Hippie Chix”), with its by-now famous chorus — available on bumper stickers — of “I would die for hippie chix.”  But years from now, when we think about what a long, awful trip the last eight years have been, while some people will put on a Michael Moore film fest, and no doubt other, more serious folks will read brilliant works of journalism like Dexter Filkins’ “The Forever War” and Jane Mayer’s “The Dark Side,” I know I’ll be tapping my feet to CVB, just like I did last night, appreciating these guys for what they are: not just rock music’s brilliant jesters, but a band that is fine, and frickin’ wonderful, and while they’re at it, deep.

We Missed Darker My Love’s Great 2008 Album “2”

Posted in Music, Uncategorized on January 7, 2009 by johnbuckley100

Oh yeah, this woulda, shoulda made the vaunted Tulip Frenzy Top 10 list…

Comprised of remnant pieces of The Nerve Agents (singer/guitarist Tim Presley) and the Distillers (Andy Granelli), and with a sound that is one part Black Rebel Motorcycle Club, one part Dandy Warhols, add some BJM Paisley-era wah-wah, a dash of Beulah and perhaps a dollop of the High Dials. These guys are grrrr-eat. You can imagine a set with them opening for the Warlocks, followed by the Dark Angels, or maybe the other way around.

Mayor Fiorello LaGuardia once famously said, “When I make a mistake, it’s a beaut.”  And so it goes for Tulip Frenzy, willing to state without equivocation that Darker My Love’s 2 was one of 2008’s Ten Best albums.  Who would have fallen out of the Tulip Frenzy pantheon to make room for them is not known.  Let’s just say we won’t make this mistake again, salute these guys, and leave it at that.