Archive for Hair

Tulip Frenzy’s #2 Best Album of 2012 Is A TIE Between Ty Segall and Ty Segall (and White Fence)!!!

Posted in Music with tags , , , , on November 23, 2012 by johnbuckley100

Back in April, we grokked on the gloriousness of young Ty Segall and the eminent Tim Presley a.k.a. White Fence joining together to produce an album.  We thought Hair was an unqualified masterpiece, stating at the time, “Hearing the ruckus created by Segall’n’Presley on Hair, it’s clear that just walking into the studio together got these young’uns to throw their very hearts and souls against all four walls, no doubt to their neighbors’ consternation.  Does not play well with others is one of those black marks on a child’s life, but if anyone doubted what young Ty could amount to, just listen to this.  The squish of the fruit from his labor with the more experienced Mr. Presley is sonically fine,  more fun than a barrel of Fleshtones, taking the crunching guitar work Presley’s delivered in his previous incarnation and smashing it down upon Segall’s Brendan Benson pop inclinations, like what the Raconteurs would have sounded like had Jack White been into the Byrds and psychedelic drugs, not Zep and Delta blues.”

In June, The Ty Segall Band released an album that, while some folks went nuts over it, we thought was a little disjoint, a disappointment.  But in the fall, Segall came roaring back with “Twins,” an immensely fun return to solo status, Segall playing with just his imaginary friends in a band that existed only in his own mind!

As we noted, “On Twins, Ty Segall proves he has gone way beyond being simply a young tyro.  Yes, he plays all the instruments, and usually that’s self limiting, because few are the one-man bands that can actually swing, for it takes two to tango, and three to play drums, bass, and guitar with any kinda pogoing lilt.  And yet on this ‘un, Sir Ty may as well be Crazy Horse jamming with the Jeff Beck Group: Twins is rock’n’roll nirvana, and Nirvana-esque rock’n’roll — loud and catchy, fast and bulbous, jacked into the mainline SF psych scene circa Summer O’ Luv even as it pulls off a Pin Ups-quality homage to late ’60s Britrock, such as it was.  As is clear from the terrific profile of the young surfer from Laguna Beach, by way of Haight-Ashbury, Ty Segall doesn’t just have a future, the dude has caught his wave.  The jury at Tulip Frenzy has a big November crisis to face, and we don’t just mean where do we move if Mitt Romney wins?  The question we have to contend with is how many slots of the 2012 Tulip Frenzy Top Ten List will be taken up by albums on which Ty Segall plays?  Stay tuned.”

Well, we know how the election turned out, and the good news is we don’t have to leave the country.  Better news is that, after spirited debate, the gang at Tulip Frenzy decided not to try figuring out which of these two albums was better and we awarded the first tie in the history of the Tulip Frenzy Top Ten List ™.

The Madcap Mashup of Ty Segall and Tim Presley May Be The Garage Rock Masterpiece Of The Millennium

Posted in Music with tags , , , on April 24, 2012 by johnbuckley100

The long-awaited release (well, we’ve been waiting for it since at least last week) of Hair, the collaboration between garage rock tyro Ty Segall and Darker My Love frontman Tim Presley (under the official authorship of “Ty Segall & White Fence”) is finally out, and it is like one of those madcap mashups straight from Ben and Jerry’s lab.  Imagine the tasty concoction created when Alex Chilton’s Like Flies On Sherbet is melted by Ivan Julian and Capsula’s The Naked Flame.  But not even that description prepares you for the gooey pleasures within!

See here, Tulip Frenzy declared Darker My Love’s Alive As You Are Numero Uno on our Top Ten List for 2010and nothing that we’ve subsequently discovered from that year makes us qualify our drooling enthusiasm.  It was a perfect album, which is just as rare as a perfect game in baseball, and maybe even more pleasurable because you can play it over and over and over, as we continue to do.  Throughout 2011 we were waiting for the great follow up to that odd country rock masterpiece, and somehow it eluded our ace intelligence squad that Presley — who’s been in bands as disparate as The Fall and the Nerve Agents — had reconstituted hisself — with or without benefit of side persons, we do not know — as White Fence.

All we know is even last week we were spotting the flaw in young Ty Segall’s go-it-alone approach, and it’s that one-man studio bands don’t swing, as even the most rhythmically nimble need other live human beans to bounce off of.  And of course hearing the ruckus created by Segall’n’Presley on Hair, it’s clear that just walking into the studio together got these young’uns to throw their very hearts and souls against all four walls, no doubt to their neighbors’ consternation.  Does not play well with others is one of those black marks on a child’s life, but if anyone doubted what young Ty could amount to, just listen to this.  The squish of the fruit from his labor with the more experienced Mr. Presley is sonically fine,  more fun than a barrel of Fleshtones, taking the crunching guitar work Presley’s delivered in his previous incarnation and smashing it down upon Segall’s Brendan Benson pop inclinations, like what the Raconteurs would have sounded like had Jack White been into the Byrds and psychedelic drugs, not Zep and Delta blues.

Speaking of which: In a just world, there would be a few crazed bloggers today writing enthusiastic nonsense about Jack White’s solo album, while the mainstream media treated Hair like it was the release of Blonde On Blonde or Tommy or something.  Alas, things don’t quite work that way.  But if you want an early listen to the funnest collaboration since Quentin Tarantino sat down with Robert Rodriguez and mapped out Grindhouse go buy Hair!  And stay tuned for the summer tour of Ty Segall with a — wait for it — actual band.

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