Archive for Leica SL

The Found Abstract Art Of Yellowstone

Posted in Uncategorized with tags , , , on September 28, 2017 by johnbuckley100

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All images Leica SL and Vario-Elmarit-SL 24-90 ASPH

If you visit Yellowstone National Park and drive up the eastern side of its crazy-eight loop, the world is precise, rectilinear, even as it is, of course, wildly gorgeous and gorgeously wild.  A gorge in fact, the Grand Canyon of Yellowstone, shows how the park got its name, and if you are a photographer, you are drawn to take certain pictures, year after year, each time reveling in the precision and sharpness of your lens capturing every facet of the rock faces in the plummet to the water.

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Ah, but after you’ve spent time crossing Dunraven Pass and seeing the movement of the animals in the Lamar Valley, when after a day or so it is time to head back down the west side of the park, things get weirder.  This is the land of the fumarole, of the geyser, a steaming, smoking remnant of the volcano underneath your feet. You leave the world where the sharpness of your lens is what matters and enter a place where the art that’s thrust before you everywhere you turn has become unmoored from familiar geometry.

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Once you’re in the Norris Geyser Basin, you are in a completely unfamiliar place, mystical in many ways.  And before you know it, you’re surrounded by pure abstraction and found art.

Yellowstone AbstractYellowstone is sublime, an environment worthy of Rilke.  As you work your way further down its western road, it becomes nothing short of magical.  The herds of bison you’ve seen earlier in the day seem as far away as the grid pattern of Manhattan. Things get very strange.  And found art, nature’s Jackson Pollacks, is everywhere you look.

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Fountain Paint Pot, a perennial stop on our visits there, is different every time, the bacteria pools a completely different color then when last you were there.  Which makes sense, since they’re piping hot and exist in a fierce environment.

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You begin to wonder how the surface of the Earth would look as a giant photograph hung on a large living room wall.

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By the time you get to Grand Prismatic Spring, you know that no human could possibly compete with the caldera of Yellowstone in creating non-representational beauty.

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The Earth is a beautiful place, but the Lower Geyser Basin is more than simply beautiful.  It is, in its own way, terrifying, even as you marvel at it, jaw agape.

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Lurking behind the question of how nature determined its design is, of course, the world’s greatest mystery.  Where did this come from? How did it happen to be here?  Answer that and millions will follow your words down the centuries.

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And when you leave, and head back to your safe existence, you do so determined to come back to this repository of glorious natural art.  And you do so, year after year, like visiting the Louvre, or in this case, Nature’s MOMA.

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For more images of Greater Yellowstone in color, go here.  And if you’d prefer black and white, go here.

At Washington’s #MarchForScience, The Consensus Was Trump And The GOP Endanger Our Future

Posted in Trump Protests with tags , , , , , on April 22, 2017 by johnbuckley100

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All pictures Leica SL with 24-90 Vario-Elmarit SL

The chants were lame, the spirits high. The crowd was large and festive in the rain, the by now customary mingling of the generations out to protest Trump.  Our peer-reviewed count was 200,000 plus (we asked one of our peers, and he agreed.)  We are increasingly grateful to Trump for organizing our social activities, as it was so easy to pull together a crowd of friends to venture out in the pouring rain, just for the chance to protest his policies.  The energy of these marches is not dissipating, and each week that goes by brings us — yes, several new outrages from the Administration — but also that much closer to the 2018 elections.  The scientists did a good job of organizing their March for Science.  Here are some pictures to once again document protests in the age of Trump.

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The Tulip Frenzy, 2017 Edition

Posted in Uncategorized with tags , , , on April 11, 2017 by johnbuckley100

Washington had an unfortunate month of March, and we’re not just talking about the Trump Administration.  First it was warm, and then it was cold.  By April it was warm again, but the damage was done, first to the cherry blossoms, then to the tulips.  We didn’t take pictures of tulips the week of March 31 because they weren’t ready, and by the 7th, they were overripe.  But in a secret spot where our beloved tulips congregate, Tulip Frenzy found these.  All images taken with a Leica SL and the 50mm Summilux SL, with an ND filter.

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What His Administration Must Look Like To “The Closer”

Posted in Uncategorized with tags , , on March 26, 2017 by johnbuckley100

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Leica SL, Vario-Elmarit SL 24-90, Kamokuna Lava Flow, Big Island

The New Years Day Snowstorm (See Full Gallery Of Images)

Posted in Uncategorized with tags , , , on January 1, 2017 by johnbuckley100

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It was about three degrees in the valley when we went for a New Years Day walk.  Jackson Hole is in a snow cycle and while only a few inches had fallen, in the cold air the light was glorious.  Herewith a gallery of images of what we saw this morning, in the order we saw it.  In most cases we have converted the images to black and white; in some cases we didn’t need to convert anything because it already was monochrome.  And in some cases we have left the color in, thinking it looked best that way. Happy New Year — and so happy that already in this new year, we have taken some photographs we like.

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Tulip Frenzy’s Top 10 List Of Black and White Photographs We Took In 2016

Posted in Uncategorized with tags , , , , , , , , , on December 21, 2016 by johnbuckley100

Funk Parade 2016Leica Monochrom-246, 50mm APO-Summicron-Asph

Last week, we published our personal faves among the various color photographs we took and published in 2016.  We understand that photographers tend to be known by a particular “look” and sensibility, that many feel the need to commit to either black and white or color.  We couldn’t if we tried.

We look deeply saturated colors — and the purity of monochrome.  We love going out some days with our Leica Monochrom in hand, viewing the world in black and white just as if we had a camera loaded with Tri-X Pan.  On those days when we are either deliberately shooting monochrome, or in the end, that’s the way we process them, we are just as happy, and in some ways even more so than when we shoot color.  We love grey scale, tonalities, the otherness and permanence of an image in black and white.

The one above is our favorite for the year.  Below, in no order, are our nine others.  And for those who like black and white photography, we think you’ll like the galleries on our sister site, Tulip Frenzy Photography.

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Leica MP-240, 35mm Summilux

 

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Leica Monochrom, 50mm Noctilux

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Leica Monochrom, 50mm APO-Summicron-Asph

The Ice Storm

Posted in Uncategorized with tags , , , , on December 17, 2016 by johnbuckley100

ice-storm-colorAll photos Leica SL and Summilux SL 50 ASPH

With apologies to Rick Moody, and possibly readers who just this morning saw us post what we believed were the 10 best color images we took in 2016, we had to go visit the Bishop’s Garden at the National Cathedral to see what was left of the ice storm this morning, and temperatures crept toward 40.  Here’s what we found.

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