Tulip Frenzy

You may not be surprised by this choice, given how we raved about it, but we were.  The odds were against our saying Earth Heat Sound was the best album of 2013, because until mid-summer, we’d given up on ever hearing the thing.  

By now you know the saga: Tulip Frenzy’s collective belief that First Communion Afterparty were the best band in America, only to find out, sometime after the fact, that they broke up in 2009 or so.  We despaired of ever hearing this record.  And then came word… a mysterious email from Minneapolis… a hint the band was playing one more time… or maybe twice, as they were going to have a record release party…. Did you say record release?  But this must mean… Yes, and they released it a few weeks ago, and our life is complete.  Well, more complete.

Here’s what we wrote:

“Counter to every storyline you might expect, following the conventions of Hollywood, Earth Heat Sound is no disappointment.  It’s an astonishingly great album, showing the growth we would have expected after Sorry For All The Mondays revealed them to be the single greatest buncha hippies at work in our savage land.  What were the circumstances under which the album was recorded, and how it fits into the saga of their breakup, we do not know.  What we know is that bittersweet feeling of being grateful we have this to listen to, and even more distraught that there may never be anything again quite like it.

“Jesus Told You,” which gets things going, captures what’s so special about this band.  Layers of drums and tambourine undergird Joe Werner’s sitar-treated lead guitar, as Liam Watkins strums and sings along with Carin Barno in some Haight-Ashbury choir.  Watkins’ voice always has a punk rock weariness, but when bassist Sarah Rose and keyboard player Marie DeBris wrap their angelic tongues around Carin’s purty warbles, there’s a Mamas’n’Papas sweetness to the overall psyche effect.  That’s the band in miniature: melodic songwriting, ’60s guitar, a deep-bottomed, energetic rhythm section, and a chorus of voices singing around a campfire in Golden Gate Park during The Electric Kool-Aid Acid Test.  Sparks fly, timelessness rules.

“Balloons” is a reminder that underneath the dreamy vocals and the layers of guitars and keyboards, this is a band powered by Nic Grafstrom, a drummer of the Aynsley Dunbar/Bev Bevan school o’ tricks.  ”Featherhead,” emanates from the Skyline, Starlight EP, but in this fresh context shows how much growth the band made between that first studio album and this.  ”Field of Flowers/Spring Rites” and “Shone Brightly” are two of the songs that, via YouTube, always promised that when Earth Heat Sound was released, it would be a killer.  Included here, our more than three-year vigil for the album was time well spent.

The antecedent that constantly comes most to mind when listening to FCAP, exemplified by a song like “Sleep Away,” is the Jefferson Airplane, which prior to 1970 not only made great records, they were a fantastic live band. “Featherhead” is that rare song here that shows a contemporary influence, in this case My Bloody Valentine.  It’s the exception that proves the rule: First Communion Afterparty were/are sui generis, a band that harkens to the greatest sounds of the Summer o’ Love, while being utterly contemporary.  Admittedly, ending the album with “21AAA”, a 14-minute song, is a bit of a throwback, and yeah, we’ll listen to it about as often as we listen to Ummagumma, but still.

Well done, First Communion Afterparty.  How a band this original, this fine, this thrilling could slip away from us makes the poignancy of the departure only sweeter.

A public service announcement: to buy Earth Heat Sound, go here.  Order it in vinyl, and you’ll get a card to download it too.”

Yep, still not out on iTunes.  WORTH THE EFFORT to buy via the link above.